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A snapshot review of Caravel, New Paintings by Brock Q Piper at Level 1, 575 Church Street, Richmond Brock Q Piper’s artistic adaptation...

Joseph Beuys' famous line 'Everyone is an artist' is often misunderstood. For Beuys “artist” was the word to describe the essence of...

Bushfires as a factual or historical subject may still and forever hold a place in Australian art, but to avoid derisive clichés and to rema

Here on display are one of the remainders of the colonial period, an extraordinary collection of portraits, faces each lined with history

A review of the art of Craig Handley and Min Woo Bang

We can separate our artistic pain, the experience of feeling deeply, from leading a painful life, whatever its origins.

“It’s good”, she said. “That’s not the question at all. But it is inaccrochable.

Attachment to nostalgia traverses generations, it finds ever-changing expression – through music; through photography; through ar

As a sculptor and painter, Bruce Armstrong has inordinate ability and range.

Nick Cave speaks of rebuilding his relationship with song writing, which had been damaged while enduring the death of his son. “I found wit

Camille Claudel struggled throughout her life against the creep of insanity, and lived in fear that her lover renowned sculptor Auguste Rodi

When it comes to inspiration, finding oneself in competition with a brilliant rival may for an artist be every bit as important as being, sa

When around a dozen artists-as-activists last month shrouded Picasso’s 'Weeping Woman' in a black veil emblazoned with the Wilson Se

Art critic Robert Nelson throws the cat amongst the pigeons, with the startling proposition that one only has to look at this year’s Archiba

There is no such thing as originality in art, just authenticity.  But controversy in the art world is its lifeblood and allegations of blata

Sketches, paintings, sculptures and maps produced in extraordinary circumstances of war and the stories they tell are rarely celebrated, in

The success or otherwise of an artist’s essential exhibiting career depends on the health of the artist/gallery relationship. At the heart

With the demise of many artist-run spaces and second tier ‘feeder’ galleries over the last 10 years or so, Not Fair’s less-than-revolutionar

The release this week of Gabriella Coslovich’s new book, Whiteley on Trial, has once again ignited Art World chatter, shining a light on the

Does the romantic idea of the intimate relationship between the artist and muse run counter to the very notion of living a creative life as