"I believe in a deeply ordered chaos", Francis Bacon: The artist's dark pursuit of reason

Subversive graffiti culture: Lack of mainstream recognition prompts identity crisis

Manchester Art Gallery courts controversy over removal of famous pre-Raphaelite painting

Experimental arts ‘outside our cities’ gain ground: Non-permanent funding may give the arts a more s

Sydney’s summer group art shows carry risks, some worth taking: A review of Nanda\Hobbs Contemporary

An artist’s view of the ‘History Wars’: Middle-ground not the answer to Australia Day race tensions

Melbourne Art Fair reignites tensions ahead of 2018 launch

‘Transformer’: Provocateur Gareth Sansom and his 2017-18 NGV Retrospective

NGV Triennial triumph ironically exposes public galleries’ failure to grasp how art should function

From Sydney to Genoa - Flea market finds, advanced technology and new research unearth sensations

NYC Metropolitan Museum refuses to remove painting that petition says 'sexualizes' girl

Camille Claudel: More than Rodin’s muse

For better or worse: The potency of artist rivalry

Being true has its price: NGV Wilson Security protestors inadvertently risk funding of leftist art

Archibald Prize 2017: Pointing to difference of male and female portraitists sets back feminism

Artists, copycats and other villains: The pursuit of authenticity in contemporary art

Australian War Memorial breaks new ground to honour war art

Selling art and managing expectations: Artists, galleries and the ‘Paradox of Choice

Melbourne's ‘Not Fair’ Art Fair 2017 - An exercise in artist branding or a bold, new experiment

"No-one was expecting a forgery as brazen as this." New book on Whiteley forgery scandal