Brett Whiteley, Craig Ruddy and the renaissance of drawing and painting in Australian art

Trading places: Artists, marketing and social media in 2019

Love is unconditional, relationships are not: Power and control in the artist gallery relationship

Fact or fiction?  The ascendancy of Romanticism in contemporary landscape painting in Australia

Belonging to the landscape: The Art of Guy Warren

Alfred Felton and Frederick Grimwade: The abiding friendship that gave birth to the NGV collection

A diagram of the thinking mind: The radical art of James Drinkwater, Ken Whisson and Gareth Sansom

From Paris to St Kilda: Alfred Felton and his passion for 19th century Romantic Art

Preview - Sydney Contemporary 2018: The presence of behemoth Pace Gallery a vote of confidence

Melbourne Art Fair's modest ambition dulls its shine

The journey out and beyond: Loss, grief and solace in the landscapes of Philip Wolfhagen

Fred Cress: An outsider's passionate portrayal of lust, greed, hate and envy

‘From the furthest depths of the soul’: The imagined landscapes of William Robinson

Review - Unmasking the portraiture of McLean Edwards

Artists and the polemics of international recognition: Why Australian artists Kathrin Longhurst

Review: The landscapes of Luke Sciberras and Kathryn Ryan

Aida Tomescu, Mark Rothko and Jackson Pollock: A single act of vandalism helps unlock the mystery

The shaming of sexual desire, eroticism and voyeurism: Remaking the female nude in contemporary art

Modigliani and the radicals of La Belle Époque: The triumph of the female nude over censorship

Hieronymus Bosch to Patricia Piccinini: Our long-held fascination with the grotesque